Maps

I have been looking at a number of maps from the 18th century recently, and I noticed a nice online map of Northern Serbia around the time of the conquest of Belgrade in 1717. You will need a plugin for your browser to study the map.

The location of Medvedja, unfortunately, is just outside the map, but you can clearly see Gradiska and Ram in the vicinity of Kisiljevo by the Danube East of Belgrade. Then there is Ban(n)at, also the site of vampire cases as recorded by e.g. Ignaz von Born and Georg Tallar.

In the North Eastern corner you will find Lugos (Lugoj), the birthplace of Béla Ferenc Dezső Blaskó AKA Bela Lugosi.

Von Born's Curious account

I mentioned Ignaz von Born and his letters on Banat in a recent post. Although his Briefe über mineralogische Gegenstände auf seiner Reise durch das Temeswarer Bannat, Siebenbürgen, Ober- und Niederhungarn, an den Herausgeber derselben, J. J. Ferber, geschrieben, does not contain much material on vampires, it is an interesting read because of its general description of the customs of the people in the area, where a few known cases of Magia Posthuma took place.

The online edition of the Allgemeine deutsche Bibliothek contains a review by P. D. Giseke of the Briefe from 1777, in which Giseke notes that:

"So klein auch die Zahl der Seiten ist (und auf Einer Reise drey und zwanzig solche Briefe zu schreiben, ist in der That genug:) so voll Merkwürdigkeiten sind sie." (As small as the number of pages is (and to write twenty three letters like these on one journey should suffice), as full of curiosities they are).

Giseke mainly discusses the mineralogical content of the book, but briefly comments on the wildness of the customs of the people living in Banat:

"Sollten die Stubenphilosophen es wohl glauben, daß in Europa Leute gefunden würden, die so malabarisch dächten, daß sie Sonnenfinsternisse für Streite des hollischen Drachen mit der Sonne halten? - Hr. v. B. hat sie im Temeswarer Bannat gefunden." (Should the parlour philosophers really believe that in Europe people could be found, whose thinking is so wild, that they believe that the solar eclipse is caused by a hellish dragon fighting the sun? Mr. von Born has found them in the Banat of Temeswar).


A very nice paper has been written on Born and his Briefe by Alex Drace-Francis: A Provincial Imperialist and a Curious Account of Wallachia in European History Quarterly vol. 36 (2006), p. 61-89. Drace-Francis is particularly interested in how 'East European' areas, in particular those of present day Romania, were represented by Born and other writes. From the above quote, it is quite obvious that some of them were considered as wild, superstititious, and uneducated. He traces von Born's journey, and the various editions of his Briefe and finds that:

"The Habsburgs' conquest, colonization, exploitation and representation of their south-eastern frontier is, I argue, best understood not as part of a process of defining Eastern Europe, nor as a 'semi-' or 'para' imperial enterprise, but one that bears legitimate comparison with colonial experiences elsewhere."

It is, I hope, obvious that this is interesting for us who wish to understand the context of the Magia Posthuma. The cases of vampirism reported to the Vienna court of Charles VI and Maria Theresa usually took place on the borders of the empire, in the military buffer zones occupied by Austrian military forces or in mining towns, so in most cases we have encounters between representatives of the empire and the locals and their beliefs. The curiosity about these parts of Europe was increasing in these years, travelogues were avidly read. This included an anonymous and abridged version of Born's Briefe published in London in 1779 under the title A very entertaining, comical and curious account of the manners and customs of the inhabitants of Wallachia, with a particular description of that country.

The word 'entertaining' is telling, because entertainment and amusement were very important to the people of that day. Even many of the more learned periodicals of the 17th and 18th centuries aimed to entertain, and it is to some extent in that context that we should see the printing of news on vampires and other curiosities in a number of these journals. In fact, a reviewer of von Born's Briefe even reminds his readers of the old Horatian dictum "Omne tulit punctum, qui miscuit utile dulci." (He gets every vote, who mixes the useful with the pleasant).

Anyway, Drace-Francis finds that Born's representation of the people of Banat should be seen in the light of a tension between province and empire. He finds that there are some similarities between Born's work and that of contemporary German scholars who define Jews and Gypsies in what we term as a racist way, but he ensures us that "it would be reductive to identify him with any movement towards theories of immutable ethnic distinction."

Although Austria considered taking over more areas of present day Romania, it seems that Maria Theresa decided not to. Drace-Francis quotes her for this view:

"Unhealthy provinces, without culture, depopulated or inhabited by perfidious and ill-intentioned Greeks, would be more likely to exhaust than to augment the forces of the monarchy."

One would, in fact, also think that she had plenty to do with reforming the empire than to expand it with further "malabarisch" people and their outlandish beliefs in e.g. vampires and revenants.

Mozart related trivia

Oh well, June passed by quickly and there were so many other things on my mind, that I didn't get around to writing much in this blog. Perhaps there will be time for a few more entries this month? Certainly, I keep searching for new material and studying various sources for information on the Magia Posthuma, so the lack of new posts only reflects that I have had to concentrate on other matters than writing Magia Posthuma posts.

Anyway, here is a bit of trivia that can relate Wolfgang Amadeus Mozart (1756-1791) to persons who are somehow relevant to the history of Magia Posthuma.

Viewers of Amadeus may have noticed a sensible character at the court of Emperor Joseph II called Baron van Swieten who is played by Jonathan Moore in the film version. This van Swieten was the son of Gerard van Swieten whose name should be well known to readers of this blog because he played a key role in establishing the Austrian law against Magia Posthuma put forth by Maria Theresa. Joseph II himself was, of course, the son of Maria Theresa.

The baron van Swieten was a patron of many composers in Vienna of that day, including Haydn and Mozart. His full name was Gottfried van Swieten, and he lived from 1733 to 1803. His name and legacy is commemorated today by e.g. The Van Swieten Society. The photo above is from Amadeus with van Swieten in the background and F. Murray Abraham as Salieri in the foreground.
Another link between Magia Posthuma and Mozart is Ignaz von Born (1742-1791) who was an Austrian mineralogist. He traveled through Banat, parts of present day south western Romania, researching mining and mineralogy, and wrote letters about his findings in 1770. The letters were published in 1774 as Briefe über Mineralogische Gegenstände. Some of the letters describe the habits and culture of the people living in the area. Here von Born includes a short description of burial practices carried out to prevent the dead from returning as vampires:

"Man scharrt ihn [den Todten] ein, setzt ihm ein Kreutz und einen großen Stein zum Kopfe, damit er kein Blutsäuger (Vampyr) werde, gießet Wein und räuchert um das Grab, um die Unholden und Zauberer zu vertreiben, und dann geht man nach Hause." (They scratch the corpse and put a cross on him and a big stone on his head to prevent him from becoming a bloodsucker (vampire), pour wine and burn incense around the grave to drive away witches and sorcerers, and then they go home.)

Like Mozart, von Born was a freemason and is usually considered to be the inspiration for the character Sarastro in Mozart's famous opera The Magic Flute.

On his travels Mozart also visited places that play a role in the history of the Magia Posthuma, e.g. Olomouc (Olmütz), where 11 year old Mozart got infected with smallpox in 1767, just 12 years after Viennese court physicians investigated a case of Magia Posthuma in the vicinity. It was also at Olomouc that Karl Ferdinand von Schertz published his Magia Posthuma.

So Mozart obviously lived an age when vampires were not quite a terror from the past. In fact, it seems that an author of popular fiction even has imagined Mozart as a vampire. In I, Vampire by Michael Romkey, not only Mozart turns out to be a vampire, the same goes for Cesare Borgia and Hitler!