Peter Mario Kreuter and Paul L. Yoder edited The Horrid Looking Glass: Reflections on Monstrosity (Inter-Disciplinary Press, £19.99) back in 2011. It compiles a number of papers on monsters and monstrosity. Among the papers are The Eternal Changeling: Dracula’s Transformations through the 1970s by Sorcha Ní Fhlainn, and The Nymph and the Witch: Female Magical Figures in the Works of Paracelsus by Kreuter.
'From the fictional world of vampires, zombies, and invaders from other worlds, to the very real world of revolutionary France and in between, the nature of the monster encompasses the very quality that makes them so believable – that which we perceive as ‘other’. While there is a commonality in this otherness, the monster lurking in the shadows, concealed in darkness or conjured with a few lines from a horror novel suggests the monster as one onto which we are free to project the most distorted and un-human features. In each chapter of this volume, you will discover that the way in which we project what is monstrous is not a singular other but is in fact a part of our own self-identity. The greatest horror of the monster is not that it stands apart, but that once we pull it from the shadow of our own projected imagination; we discover that that the monster we fear is also bound to our own mirror image. To look at the monster, to name that which must never be named, is to look upon a reflection and embrace a part of our nature we do not wish to see.
As the fourth gathering of scholars to bring light to this darkened world of Monsters and the Monstrous, the goal is not to turn away in fear, but to confront, explore, and ask questions of them. Within the pages of this volume are the results of the conversations that took place among them.'
On several occasions, particularly on the periphery of the Habsburg Empire during the 17th and 18th centuries, dead people were suspected of being revenants or vampires, and consequently dug up and destroyed. Some contemporary authors named this phenomenon Magia Posthuma. This blog is dedicated to understanding what happened and why.
Showing posts with label monsters. Show all posts
Showing posts with label monsters. Show all posts
Saturday, 6 April 2013
Thursday, 3 February 2011
Schaurig Schön or Horribly Beautiful
If you happen to be in Vienna this winter or spring, this exhibition of monstrosities at the Kunsthistorisches Museum might be of some interest:
'Schaurig Schön - Ungeheuerliches in der Kunst
Die dritte Ausstellung aus der Reihe INTERMEZZO ist Mischwesen, Dämonen und anderen Fabelwesen gewidmet. Der unglaubliche Erfolg moderner Mythen wie Harry Potter oder Der Herr der Ringe zeigt, wie relevant und allgegenwärtig diese Wesen bis heute sind. Aber Drachen und Einhörner, Greifen und Sphingen blicken auf eine oft Jahrtausende alte Geschichte zurück. Anhand von ausgewählten Objekten aus den Sammlungen des KHM – aus der Ägyptisch-Orientalischen Sammlung, der Antikensammlung, der Kunstkammer, der Hofjagd- und Rüstkammer, der Sammlung alter Musikinstrumente, der Gemäldegalerie, dem Münzkabinett und der Bibliothek – werden die Geschichte(n) und der Bedeutungswandel, den viele der mythischen Gestalten im Lauf der Jahrtausende durchgemacht haben, nachgezeichnet. Antike Vasen und Bronzen sind neben prunkvollen Rüstungsteilen der Renaissance, Tapisserien, musikalischen Instrumenten, Elfenbeinschnitzereien und mittelalterlichen Goldschmiedekunstwerken zu sehen, Automaten und altägyptische Sphingen neben Gemälden von Hugo van der Goes, Raffael, Rubens, Crespi und Moretto da Brescia, das Horn des legendären Einhorns findet sich neben einem barocken Teufelchen im Glas. Es gibt also „Ungeheuerliches“ zu entdecken und so manches zu lernen, von dem man eigentlich dachte, man wisse es schon.'
In English (here):
'Horribly Beautiful. Monstrosities in Art
The third INTERMEZZO show, our series of in-house exhibitions, is dedicated to monsters, demons and other mythical creatures. The tremendous success of modern myths such as Harry Potter or The Lord of the Rings documents how relevant and ubiquitous these creatures remain today. But dragons and unicorns, griffins and sphinxes look back on a thousand-year-old history. With the help of a selection of works from the KHM’s different collections – the Ancient Egyptian Collection, the Collection of Greek and Roman Antiquities, the Kunstkammer, the Collection of Historical Arms and Armour, the Collection of Musical Instruments, the Picture Gallery, the Coin Collection, and the Library – the exhibition will focus on the history and the change in meaning of these mythical creatures.
Greek vases and ancient bronzes will be on show next to magnificent Renaissance armour, tapestries, musical instruments, ivories and mediaeval goldsmith works, automatons and Ancient Egyptian sphinxes next to paintings by Hugo van der Goes, Raphael, Rubens, Crespi and Moretto da Brescia, the horn of the legendary unicorn next to a baroque demon in a glass. There is much to discover that is monstrously fair and much to learn that we thought we already knew.'
'Schaurig Schön - Ungeheuerliches in der Kunst
Die dritte Ausstellung aus der Reihe INTERMEZZO ist Mischwesen, Dämonen und anderen Fabelwesen gewidmet. Der unglaubliche Erfolg moderner Mythen wie Harry Potter oder Der Herr der Ringe zeigt, wie relevant und allgegenwärtig diese Wesen bis heute sind. Aber Drachen und Einhörner, Greifen und Sphingen blicken auf eine oft Jahrtausende alte Geschichte zurück. Anhand von ausgewählten Objekten aus den Sammlungen des KHM – aus der Ägyptisch-Orientalischen Sammlung, der Antikensammlung, der Kunstkammer, der Hofjagd- und Rüstkammer, der Sammlung alter Musikinstrumente, der Gemäldegalerie, dem Münzkabinett und der Bibliothek – werden die Geschichte(n) und der Bedeutungswandel, den viele der mythischen Gestalten im Lauf der Jahrtausende durchgemacht haben, nachgezeichnet. Antike Vasen und Bronzen sind neben prunkvollen Rüstungsteilen der Renaissance, Tapisserien, musikalischen Instrumenten, Elfenbeinschnitzereien und mittelalterlichen Goldschmiedekunstwerken zu sehen, Automaten und altägyptische Sphingen neben Gemälden von Hugo van der Goes, Raffael, Rubens, Crespi und Moretto da Brescia, das Horn des legendären Einhorns findet sich neben einem barocken Teufelchen im Glas. Es gibt also „Ungeheuerliches“ zu entdecken und so manches zu lernen, von dem man eigentlich dachte, man wisse es schon.'
In English (here):'Horribly Beautiful. Monstrosities in Art
The third INTERMEZZO show, our series of in-house exhibitions, is dedicated to monsters, demons and other mythical creatures. The tremendous success of modern myths such as Harry Potter or The Lord of the Rings documents how relevant and ubiquitous these creatures remain today. But dragons and unicorns, griffins and sphinxes look back on a thousand-year-old history. With the help of a selection of works from the KHM’s different collections – the Ancient Egyptian Collection, the Collection of Greek and Roman Antiquities, the Kunstkammer, the Collection of Historical Arms and Armour, the Collection of Musical Instruments, the Picture Gallery, the Coin Collection, and the Library – the exhibition will focus on the history and the change in meaning of these mythical creatures.
Greek vases and ancient bronzes will be on show next to magnificent Renaissance armour, tapestries, musical instruments, ivories and mediaeval goldsmith works, automatons and Ancient Egyptian sphinxes next to paintings by Hugo van der Goes, Raphael, Rubens, Crespi and Moretto da Brescia, the horn of the legendary unicorn next to a baroque demon in a glass. There is much to discover that is monstrously fair and much to learn that we thought we already knew.'
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